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Canadian Brass casts usual spell over crowd
Glenn Giffin Special to The Denver Post, February
2003
As a corporate entity, The Canadian Brass has
been a going concern for just more than 30 years. The membership
has changed during that time, but the ensemble's savvy blend
of class and pop, of deft arrangements and high jinks, has
made it the touchstone for similar ensembles worldwide.
The quintet performed Saturday night in Boettcher Concert
Hall. It was a good crowd, as the Canadian Brass has been
a regular visitor to the Mile High City and has a following.
This was not your usual symphony audience.
For class, there was a hand of Handel ("Arrival of the
Queen of Sheba" from the oratorio "Solomon"),
renaissance-early baroque tunes from Samuel Scheidt and G.
Gabrielli, even the quintet's dazzling arrangement of J.S.
Bach's Toccata and Fugue in D minor, originally for organ,
but realized splendidly for these players. It was tuba player
Charles Daellenbach who cheerily noted of Scheidt's "Galliard
Battaglia" (the Battle Galliard - a musical depiction
of a time when warriors faced one another within arm's reach)
that there was "no winner - that's because we're a Canadian
group."
For pops, there were some down home and tough arrangements
of Jelly Roll Morton ("Black Bottom Stomp"), Frank
Burnett ("My Melancholy Baby") and W.C. Handy ("St.
Louis Blues"). And they didn't forget the big-band era,
with some Tommy Dorsey and Glenn Miller medleys. You wonder,
had a group as good as this been present at the creation of
early jazz, what might have happened? They sound like naturals.
And for fun, there was Peter (P.D.Q. Bach) Schickele's "Hornsmoke
(A Horse Opera in One Act)," amusingly set out and demonstrating
why the Canadian Brass is better known for instrumental performance
than vocal.
As always, the quintet (trumpeters Ryan Anthony and Joe Burgstaller,
trombonist Eugene Watts, French horn player Jeff Nelsen and
Daellenbach on tuba) had the zest of performers sure of what
they do and of how to make the best effect.
Fans will be waiting for their next visit to Denver with more
than a little impatience. The Canadian Brass knows to leave
'em wanting more.
FOR REFERENCE ONLY. NOT TO BE
REPUBLISHED.
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